A Hallway Into Elsewhere


In response to Sadje’s Whatdoyousee WDYS #327 for February 9, 2026 #Keepitalive

https://wp.me/paf3ao-mH9



The Corridor That Thinks Back

A potter once lived in a small town where everyone knew everyone’s business, except his. He worked in silence.

Every morning, he shaped clay with the same slow devotion. Every evening, he placed his bowls in the kiln and waited. And every time someone asked him why he made the same form again and again, he said something strange:

“I’m not making bowls. I’m making memory.”

Years later, long after the potter was gone, a child found one of his bowls buried in dust behind an old house. The child held it, turned it in their hands, and felt something they couldn’t name. Not knowledge. Not history. Something quieter.

Something like recognition.

The bowl had no voice. Yet the child felt as if it had been waiting.


Now, with reference to the corridor in the image.

Stone arches repeating like breath. A long hallway that doesn’t just lead somewhere, it leads you inward. Light pouring through a window at a precise angle, spilling a patterned shadow on the floor as if the sun itself is trying to write.

You don’t simply look at it. You enter it. And the strangest part is, you feel something… familiar.
Even if you’ve never been here. Even if your life has never touched this place.

So the question arrives, uninvited, but unavoidable:

How can something so ancient feel like it knows you?

Synapses in Stone

There’s a reason archaic architecture affects us differently than modern glass and steel. It’s not just “beauty.” It’s not just nostalgia. It’s something more biological than poetic:

Your brain responds to this place like it responds to thought itself.

Look closely at the corridor – repeating arches, rhythmic curves, predictable symmetry. Your nervous system loves that.

Because the human brain is a prediction machine. It is constantly scanning the world for patterns, asking…Is this safe? Is this stable? Can I relax here?

Repetition signals safety. Symmetry signals order. Curves signal shelter.

Even before you consciously admire it, your body begins to soften. Your breathing slows slightly. Your mind becomes quieter, not because you decided to calm down, but because the architecture trained you to.

The arches do something subtle – they create a rhythm. And rhythm is the language the brain trusts most.

That’s why music moves us. That’s why a lullaby works. That’s why footsteps in a corridor can feel like a prayer. This stone hallway isn’t just architecture.

It is a neural experience.

The corridor is essentially doing what your brain does all day long…

forming loops
repeating signals
creating pathways
holding structure so meaning can happen inside it

In a way, the building isn’t merely a building. It is a physical metaphor for the mind. A thought made of stone.

The Corridor as a Memory Test (Even if it isn’t your memory)

Here’s where it gets even more interesting.

You may have never walked this corridor before. Yet something in you reacts as if you have. This is the emotional trick archaic monuments play. They trigger what can only be described as borrowed nostalgia.

Not nostalgia for your past, but nostalgia for a past your nervous system believes it remembers.

How?
Because your brain doesn’t only store memories. It also stores templates.

A “template” is a pattern your brain associates with meaning. And archaic architecture is full of those templates:

old stone = endurance
arches = shelter
long corridors = pilgrimage
filtered sunlight = sacredness
shadows = mystery
symmetry = intention
thickness of walls = permanence

Even if you’ve never lived in a castle or monastery or ancient city, your brain has still learned what these things mean through stories, films, paintings, photographs, history lessons, mythology.

So when you step into an archaic monument, your brain does something almost mischievous.

It says:

“Ah. This is one of those places.”

And instantly, you begin to feel the emotion that belongs to the idea of it.

This is why old buildings often feel spiritual, even when they weren’t built for religion.

Your brain treats them like sacred sites because they resemble the conditions under which humans have felt awe for centuries.

The Architect’s Emotion: Does It Travel Through Time?

Whenever I visit an old monument, I catch myself thinking something slightly irrational… and completely irresistible.

Did the architect’s joy during construction get passed on?
Is the “energy” that powerful?

Here’s the honest answer. Not in the electromagnetic way people imagine. Stone doesn’t store human joy like a battery stores electricity. But it stores something else. It stores attention. And attention is more powerful than we give it credit for.

Every arch is a decision. Every curve is a choice. Every measurement is a mind at work.

A builder doesn’t just stack stone. They solve problems, fight gravity, negotiate light, anticipate footsteps, predict how a shadow will fall, how sound will travel, how the air will feel.

And here’s the miracle…Those decisions remain. Long after the architect is dust, the intentionality stays.

So when you walk through an archaic corridor, you are not just seeing stone. You are witnessing the fossilized intelligence of another human being.

You are literally inside their thinking.

And your brain, because it is a social organ, can detect it.

We are wired to sense a maker behind the made.

It’s the same reason a handmade object feels warmer than a factory-made one. The same reason you can feel the difference between a rushed meal and a lovingly cooked one.

You don’t need magic for this. You only need to be human.

The Sun as the Second Architect

Now look at that sunlight. It isn’t just “nice lighting.” It is precision.

The window has been placed in such a way that the sun enters like a guest who has been invited at the right hour. The shadow pattern on the floor becomes a grid, almost like the corridor is wearing a second architecture made of light.

This is where the genius of archaic buildings quietly humiliates modern arrogance. We think we invented “design.”

But ancient builders understood something deeply. A building is not complete until time moves through it.

They built for seasons. For hours. For morning vs evening. For the way the sun shifts and paints.

And because of that, the corridor doesn’t feel static.

It feels alive. Because it is collaborating with the sky.

Why This Feels So Intense (The Neuroscience of Awe)

There’s a specific emotion this corridor evokes.
It’s not just “admiration.” It’s awe. Awe is the feeling you get when your mind encounters something too vast to easily explain. Something that makes you feel smaller, but not in a humiliating way. In a cleansing way.

In awe, the brain stops obsessing about petty problems. Your ego becomes quieter. You stop thinking about notifications and deadlines and social nonsense. You become receptive. It’s one of the rare moments modern life doesn’t offer easily. And archaic monuments deliver it with almost unfair efficiency.

Because they combine the perfect ingredients:

age (survival)
scale (vastness)
repetition (rhythm)
silence (attention)
light (meaning)
stone (permanence)

And the brain responds the way it always has…by going still.

The Ordinary Turned Extraordinary

Here’s the part that makes this more than a pretty travel reflection. A corridor is one of the most ordinary human inventions.

It is literally… a passage. A way to go from one place to another. But in archaic monuments, the corridor becomes something else. It becomes a psychological experience.

A slow, silent instruction to your nervous system. Walk slower. Look longer. Become smaller. Feel more.

And you realize then that this place was never only meant to connect rooms.
It was meant to connect states of being.

It was built to move you from your everyday mind into a different mind.

So What Are You Really Feeling? Not electromagnetic fields. Not ghosts. Not magic in the literal sense.

You are feeling something far more intimate…your brain recognizing rhythm, your body responding to shelter, your memory system lighting up with templates of “ancient”, your awe circuits softening your ego, your imagination stitching you into a story bigger than your life, your human empathy sensing the presence of the maker

You are also feeling the meeting of two minds –
the mind that built it, and the mind that is standing in it now, separated by centuries, and yet communicating without words.

When I visit an archaic monument, I don’t feel like I’m sightseeing. I feel like I’m stepping into a different reality.

Like my daily life, its noise, its urgency, its small dramas, gets peeled away. And in that moment, the corridor doesn’t feel like architecture. It feels like transition. Like a passage not through space, but through existence.

To admire such a place is to be reminded that human beings were once capable of building with patience, reverence, and devotion to something beyond convenience.

And maybe that’s why it feels so intense, because it is not just stone and sunlight. It is proof. Proof that something in us has always wanted to outlast us.

So yes, standing in a place like this can feel like dying...

Not the tragic kind. The sacred kind. Like the old version of you collapses quietly…and you wake up in another world.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Clutterhood

Are there any activities or hobbies you’ve outgrown or lost interest in over time?

There are two kinds of people in this world:

1. Those who evolve with time.
2. Those who evolve… and leave behind a trail of abandoned hobbies like emotional receipts.

I am the second kind.
I didn’t just have hobbies. I had eras. And each era ended the same way, with me staring at a drawer, a shelf, or a mysterious plastic bag thinking:

“So… who allowed this?”

Because here’s the truth nobody tells you.
You don’t outgrow hobbies.

You simply reach a point where your house, your schedule, and your lower back collectively vote you out.

So if you’ve ever looked at your old interests and thought “who was I?” – welcome. Here are mine.

1) Gaming: From Warrior to Casual Button-Presser

There was a time I gamed like I was training for the Olympics. Fast reflexes. Intense focus.
The kind of concentration where you forget food exists.

Now? I game the way a tired adult folds laundry. I don’t want challenge. I want comfort.

If the game has, complicated controls, 47 missions, a crafting system, or a tutorial longer than a tax form…I’m out.

I used to fight bosses. Now, I fight the urge to fall asleep during the loading screen.

2) Doodling Stick Figures in Income Tax Lectures

This was not doodling. This was therapy. I used to sit in income tax lectures and draw stick figures like:

one falling off a cliff
one screaming into a void
one holding a sign saying “WHY”
one being crushed by the words “SECTION” and “AMENDMENT”

The lecturer would be like:
“Now under Section 234B…”

And my notebook would be like:
A stick man being escorted out of the planet.

Now I don’t doodle in lectures, because I don’t attend lectures.

Also I’ve learned, adult venting comes in the form of silence, staring into space, and whispering “wow” every 14 minutes.

3) Watching Movies & TV Shows Like It’s a Full-Time Career

There was a time I watched movies and TV shows the way people do research.

“Just one more episode.”
Then suddenly it’s 3 AM and I’m emotionally attached to a character who has died twice but returned because… plot.

Now I choose. I CHOOSE. Like a responsible adult. I don’t watch random shows anymore.
I watch things that have good reviews, a limited number of seasons, and preferably an ending that doesn’t require therapy, because I’m older now.

I don’t have the energy to invest in 9 seasons of betrayal, cliffhangers, and one final episode that ruins my trust forever.

4) Bicycle Racing: The Era of Competitive Suffering

Ah yes. Bicycle racing. Back when I thought pain was a personality trait.

I used to race like:

“If I don’t win, I don’t deserve water.”

Now I still cycle…but I don’t race. Because I’ve matured. Also because racing requires speed, stamina and lungs that don’t file a complaint with HR after 3 minutes

Now I cycle like a peaceful philosopher – Slow. Steady. Emotionally available.

And I stop for snacks, because unlike my younger self, I now believe in hydration and joy.

5) Window Shopping: The Sport of Broke Romance

Window shopping used to be my cardio. I’d walk into a store and fall in love with 14 things I couldn’t afford.

Then I’d leave like, “It’s okay. I didn’t want it anyway.”

LIES. I wanted it. I wanted it badly. Now, window shopping is exhausting because I’m older and my brain is like:

“So we’re going to walk around for two hours and buy nothing?”

Yes. That was the hobby. Financially responsible heartbreak. Now, I just open shopping apps, add things to cart, and close it with the confidence of someone who has matured.

And then reopen it 20 minutes later like a raccoon returning to a dumpster.

6) Comics: The Golden Age of Pure Joy

I used to read comics with the devotion of a monk. The kind of joy that is innocent and pure.

Now? I still love them, but I’ve outgrown the “collector” version of myself. Because comic collecting is a slippery slope.

First you buy one. Then you buy ten. Then you start saying things like:

“I need the limited edition cover.”
And suddenly you’re one step away from living in a fort made of paper and nostalgia.

7) Collecting Beach Thingies: Ocean Trash, But Make It Sentimental

Yes. The beach thingies. Shells, pebbles, sea glass, driftwood. Random objects I believed were magical.

Now I realize, I wasn’t collecting memories. I was collecting items that would later appear in my house like evidence in a crime scene.

And why were they always sharp? Why did I bring home the most dangerous shells? Was I building a tiny ocean-themed weapon collection?

8) Saving Train & Bus Tickets Like I’m Building a Museum of Mild Trauma

I used to save tickets like they were priceless.

“This is from the day I went somewhere important.” Important where? To buy snacks?

Now I know, the ticket didn’t hold memories. It held, dust, sadness and the faint smell of public transport anxiety

9) Stationery Obsession: The Pen Hoarder Chronicles

I used to buy pens like I was preparing for the apocalypse. Glitter pens. Gel pens. Fancy pens.
Pens that promised to change my life.

Spoiler: They did not.

They just sat there while I continued writing the same to-do list. Drink water, be productive, cry a little, repeat

10) Hoarding Gift Bags & Ribbons: The Craft Drawer of Doom

Gift bags were my weakness. I kept them like family heirlooms. “Oh no I can’t throw it away. It’s still usable.”

Yes. It’s usable. But so is a cardboard box and I don’t keep those like they’re sacred.

And ribbons? I have ribbons from gifts I don’t even remember receiving. At this point, my drawer is not storage. It’s a museum of unhealed consumerism.

And Then… My Kids Took Over

And now, the biggest reason I’ve outgrown all these hobbies. My kids have taken over. It’s only fair.

They are now the official collectors of, beach shells, random stones, paper scraps, tiny toys, broken crayons, and objects I cannot identify but apparently “have a story”. I don’t stop them.

So, if I don’t retire my hobbies, my home will require a dedicated room.

You know those sophisticated mansions that have a panic room, like that Jodie Foster movie?A secure, hidden room to stay calm when chaos strikes.

My home has a junk room. And it doesn’t prevent panic. It manufactures it.
The kind of room where you open the door and immediately get hit by hundreds of gift bags, a pile of bus tickets, many ancient notebooks full of dramatic quotes, many pens that don’t work, a huge shell collection, and a stick figure drawing of me screaming

It’s not a storage room. It’s a psychological thriller.

Outgrowing hobbies isn’t sad. It’s hilarious. It’s proof that you once had the energy to care deeply about things like shells, tickets, doodles, stationery, racing bicycles and collecting comics like you were building an empire

Let me conclude by saying I used to collect shells, tickets, pens, comics, memories…
Now I collect peace.
And even that comes with a monthly subscription.

Adulthood: fewer hobbies, more bills.
Which is… honestly… growth.

Because, nothing builds character like paying for electricity.
Less glitter. More EMIs.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Before the Song Ends


In response to Jim Adams’s Song Lyric Sunday

Pondering Existential Thoughts

https://wp.me/p8EzVZ-Kfl

Prompt:

This week the theme is to find a song that makes you think about life


Song That Made Me Pause and Feel the Pulse of Life

One song that has stayed with me long after the last note faded is “Life” by Conrad Sewell, a powerful, emotional track that goes beyond melody and rhythm to touch something deeper inside us.

Watch here: Conrad Sewell  – LIFE (Official Video) beautifully directed with raw emotion.

https://youtu.be/JwA7zo8eNRs?si=5xQmLDV32mQj_R-2

This song feels like a conversation with your own heart. The way Conrad sings, with vulnerability and strength intertwined, makes you stop and breathe.

It isn’t just about the word “life” as a title; it’s about the tender, fragile moments that make every breath meaningful. There’s a sense of yearning in his voice, as though he’s asking us to feel every fleeting second with full awareness – to love harder, forgive sooner, and live without regret.

In the video, you see him surrounded by violinists dressed in white, a visual metaphor for purity and simplicity.

It contrasts with the weight of the emotions he carries in his voice. To me, that juxtaposition represents what it means to be human. We carry depth within a fragile shell, and that tension between beauty and pain is where life truly lives.

Why this song resonates…

It reminds me that life isn’t measured in achievements or expectations, but in the moments that shape our inner world, the loves, losses, chances taken and chances missed.

There’s a universality in the lyrics and melody that makes you think about your own journey – your choices, fears, and hopes.

The song gently pushes us to reflect on how quickly time passes, and how precious every experience really is.


And that’s the strange and beautiful thing about music… one song can make you feel connected to strangers because it speaks to something universal, like the thin thread that ties us all to love, loss, growth, and the pursuit of meaning.

Even if we don’t have all the answers , even if we never fully understand why we’re here, songs like this remind us to stay open, to stay present, and to cherish the fleeting light of every moment. Because life may move like a whisper… but its echo lasts forever.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

The Great Coin-spiracy


In response to pensivity’s Three Things Challenge, 3TC, TTC #MM329

Prompt Words: Money, Multiply, Mute

https://wp.me/p3RSgb-w3G


In the little town of Belltree, there was a strange rule everyone followed without questioning:

Money must be spoken loudly.
Not shouted, exactly… but shown, displayed and proved. People didn’t just earn money. They announced it.

Coins clinked in pockets like tiny drum rolls. Notes were counted dramatically in shops. Even the ice-cream man had a bell that rang louder if you paid with a bigger bill.

And the oddest part?

The more noise your money made, the more important you were treated.

The Girl Who Could Hear Silence

In Belltree lived a kid named Mira, a daydreamer with mismatched socks and a habit of talking to trees like they were old professors.

Mira had a tiny jar of coins at home. Not much. But she loved it anyway because her mother had stuck a label on it that read:

Money is a tool, not a trophy.”

Mira didn’t fully understand it. But she liked the way it sounded, like something wise people say right before they sip tea and stare into sunsets.

One day, Mira heard about the Town Festival of Fortune, where kids could enter a contest called, ” The Multiply Challenge”

The rule was simple: You start with one coin.
You go out into town. And by the end of the day…
You must multiply it. The kid who multiplied their money the most would win the grand prize:

A golden wallet
A giant trophy
And their name carved into the “Hall of Hustle”

Mira entered. Not because she wanted the trophy, but because she wanted to know something:

How does money multiply?
And why do people act like it’s magic?

The Three Ways Money Multiplies

The next morning, Mira placed one coin in her pocket and stepped into town. Immediately, she noticed three different kinds of kids.

1) The Loud Money Kids

These kids were the “look-at-me” type. One boy named Rishi had a belt pouch so full of coins it looked like it needed a chiropractor. He marched into the market and declared:

“Watch this! I’m going to multiply money like a wizard!”

He bought ten lemonades from a stall and tried selling them for double the price. But people frowned.

A shopkeeper said, “Why would I pay more for the same lemonade?” A customer muttered, “That’s not multiplying. That’s just… annoying.”

Rishi’s pouch jingled loudly, but by lunchtime, he had fewer coins than he started with.

Mira watched quietly. She didn’t laugh. She just thought:

Money can be loud… and still be wrong.

2) The Clever Money Kids

These kids were brilliant. They calculated, planned, and they made charts.

A girl named Anya bought ribbons and made tiny bracelets. She sold them beautifully. People loved them. She doubled her coin quickly.

Mira admired her. This felt like real multiplying. But then something happened. A smaller kid asked Anya, “Can I have one? I don’t have money.”

Anya hesitated. Then she said, “No. I’m multiplying.” The kid walked away.

Anya’s money multiplied…but her smile didn’t.

Mira noticed that too.

3) The Quiet Money Kids

These were the kids you barely noticed. They didn’t shout. They didn’t show off. They didn’t compete with anyone.

They just… helped.

Mira saw a boy carrying vegetables for an old woman. The woman gave him a coin. He smiled and tucked it away without a sound.

No clinking. No drama, Just kindness.

Mira suddenly remembered her mother’s jar label again.

Money is a tool, not a trophy.

Mira’s Strange Plan

By afternoon, Mira still had only her one coin.
She sat under a tree, thinking so hard her eyebrows almost formed a triangle.

“How do I multiply money,” she whispered, “without turning into… a money goblin?”

A bird hopped nearby like it was curious. Mira sighed. Then she saw something.

A small boy was sitting outside the bakery. His stomach made a sound like a sad balloon.

The baker noticed him and frowned. “Go away,” he said. “You can’t just sit here.”

Mira stood up. She walked into the bakery and bought a small bun with her coin.

Then she brought it to the boy. He looked at it like it was a miracle.

“You… you bought this for me?”

Mira nodded. The boy ate slowly, as if trying to make the moment last.

Then he said, “Wait here.”

He ran off. Mira blinked. That was unexpected.

The Magic of the Mute Coin

A few minutes later, the boy returned, holding a folded piece of paper. He handed it to Mira.

“I can’t give you money,” he said, “but I can give you this.”

Mira opened the paper. It was a drawing. A beautiful drawing. It showed Mira with a bun in her hand, but behind her was something strange:

A glowing trail of tiny stars. At the bottom, the boy had written. “You helped me when you didn’t have to.”

Mira felt something warm in her chest. Like her heart had been wrapped in a blanket.

She suddenly realized…

Her money was gone.
Her coin was spent.
Her pocket was… silent.
Mute. No jingling. No proof.
No clink-clink-clink to show the world she had value.

But inside her, something felt bigger.
Not smaller.

The Unexpected Multiplication

Mira walked through the town holding the drawing. She didn’t even know why. But people noticed.

A woman stopped and said, “That’s lovely. Who drew it?”

Mira pointed.

“The boy near the bakery.”

The woman went to him and said, “Can you draw my daughter?” She paid him two coins.

Then a man said, “Draw my shop!” He paid him three.

Soon, the boy was drawing for half the town. Mira stood nearby like a quiet lighthouse. And then something happened that made Mira’s brain do a little somersault.

The boy came back and held out a small pouch.

He said, “This is for you.” Mira blinked. “For me?”

“You started it,” he said. “You were the first person who treated me like I mattered.”

Mira opened the pouch. Inside were coins. Not a mountain. Not a fortune. But more than one.

Her one coin…had multiplied.

Not by tricking people. Not by squeezing them. Not by being loud.

But by something far stranger.

By being human.

The Festival Results

That evening, the town gathered. Kids poured their coins onto tables like dramatic pirates.Rishi had a few sad pennies and a bruised ego. Anya had a good pile – neat and proud.

Mira stepped forward. She placed her small pouch on the table. Not the biggest. Not the smallest. Just… honest.

The mayor looked surprised.

“Mira,” he said, “how did you multiply your money?”

Mira thought for a moment. Then she said:

“I spent it.”
The crowd went silent.
The mayor blinked. “You… spent it?”

“Yes,” Mira said. “I used it to help someone. Then it came back in a different way.”

The mayor leaned closer. “But why?”
Mira shrugged.
“Because I didn’t want money to make me loud.”
She paused, then added: “I wanted money to stay… a tool. Not a trumpet.”

The crowd laughed softly. And for the first time in Belltree…the laughter sounded warmer than the clinking of coins.

The Lesson That Stuck

That night, Mira’s mother found the drawing on the table. She smiled.

Mira said, “I think I finally understand your jar label.”

Her mother raised an eyebrow. “Oh?”

Mira nodded.

“Money can multiply,” she said, “but if your heart goes mute while it does… then you’ve actually become poorer.”

Her mother laughed. “That’s a very expensive lesson.” Mira grinned.

“Not really,” she said. “I bought it for one coin.”

Money can multiply in many ways.
But the best kind of multiplication is the one that doesn’t shrink your kindness.

Because if money grows…but your heart becomes mute…then you didn’t win. You just got noisier.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Fee-ling Alive


In response to Fandango’s One Word Challenge, #FOWC for February 8, 2026

https://wp.me/pfZzxd-tZI

Prompt Word: Fee


A Human Receipt for Being Alive

First and foremost: I’m not going to take the simple, straightforward meaning of fee, the boring little price tag slapped onto services like parking, late returns, or that one gym membership you forgot you had.

Because the moment you look at the word fee through a human lens, it stops being a transactional noun and starts becoming something far more unsettling, intimate, and strangely poetic.

Fee is the price we pay for existing.

Not in the dramatic “life is pain” way. More in the quiet, everyday way. The way you pay without noticing. The way your brain keeps swiping your emotional card, again and again, for things you never asked to purchase, yet can’t stop needing.

The Man Who Paid for a Cup of Tea

A man walked into a small tea shop at the edge of a busy station.

He asked the shopkeeper, “How much for a cup of tea?”

The shopkeeper smiled. “Ten rupees.”

The man paid. He took one sip.
And then suddenly he frowned.

“This tastes like… nostalgia,” he said.

The shopkeeper nodded. “That’s the extra fee.”

The man blinked. “Extra fee? For what?”

“For remembering your grandmother’s kitchen,” the shopkeeper said calmly. “For hearing a voice you can’t call anymore. For feeling warmth in your chest that also stings.”

The man laughed awkwardly. “But I didn’t ask for that.”

The shopkeeper shrugged. “Nobody asks. But it comes with the tea. It comes with being human.”

The man sat down. He finished the tea slowly.

And when he stood up to leave, the shopkeeper added gently:

“Come again. The tea is always ten rupees.
But the fee will change depending on what your heart decides to bring.”

We’re All Paying Fees All Day

We pretend life is free. But nothing about being human is free, not even joy.

You don’t just feel something. You pay for it. And your brain? Your brain is basically an accountant with a nervous system.

It tallies.
It audits.
It keeps a ledger so quietly you don’t even realize you’re being charged.

The Existential Fee: The Price of Taking Birth

Let’s say the most outrageous thing out loud. Birth itself is not a gift. It’s an invoice. You arrive into this world and immediately the meter starts running. You pay for attachment, identity, hunger, longing, meaning, love, fear, ambition, memories, and the strange curse of being aware that you are aware. And the cruelest part? You can’t opt out of the charges without opting out of the entire system.

So, you do what every human does. You try to “make good.” You try to justify the cost.

The Daily Balance Sheet: Profit, Loss, and Emotional GST

Every day is a transaction.

Some days you make a profit:

  • a laugh that feels clean
  • a compliment that lands
  • a moment of peace
  • a text that says “I’m proud of you”

Some days are pure loss:

  • regret
  • shame
  • overthinking
  • heartbreak
  • silence

And like those accounting exams we all suffered through, we try to tally it somehow. We do mental jugaad. We round off. We force the numbers to match. We tell ourselves, “Okay, today was bad… but at least I was productive.” Or: “Yes, I cried… but I also drank water and replied to emails.” Humans are the only species that tries to emotionally reconcile a balance sheet.

A dog doesn’t sit at 2 AM thinking, “Was my bark today aligned with my purpose?” But we do. Because consciousness comes with service charges.

The Neuroscience of Fee: The Brain Charges You for Meaning

Here’s where it gets existential and neurological.

Your brain isn’t designed to make you happy. Your brain is designed to make you survive. Which means it charges you extra for uncertainty, adds interest on regret, has a late fee for closure, and applies hidden charges for comparison.

The brain runs like a predictive machine, constantly calculating:

“What is this moment going to cost me?”

And that’s why even joy can feel expensive. Because joy makes you vulnerable. The moment you love something, your brain quietly whispers:

“Noted. Now we can lose it.”

That’s the fee.

The Emotional Fee: Every Smile Has a Price

For every smile, we often pay a fee. For every act, a consequence. Even the softest emotions aren’t free.

You pay for love with fear.
You pay for friendship with effort.
You pay for trust with the risk of betrayal.
You pay for growth with discomfort.
You pay for ambition with exhaustion.
You pay for being kind with being misunderstood.

And the most tragic fee of all?

You pay for being strong by being tired.

The Routine Fee: The Small Charges That Quietly Define Us

Sometimes the fee isn’t dramatic. It’s routine. It’s every day. It’s pretending you’re okay in a meeting, smiling at someone while carrying private grief, answering “I’m fine” like a trained reflex, showing up even when your mind is leaking.

You don’t pay those fees in cash. You pay them in cortisol, sleep, attention, emotional bandwidth, and that invisible fatigue no one can name. And yet, you still pay. Because you still want to be a person in the world.

The Social Fee: The Cost of Belonging

Belonging is never free. There’s always an entry fee. Sometimes it’s harmless – dressing a certain way, laughing at jokes you don’t find funny.

Sometimes it’s expensive, shrinking yourself, silencing your truth, performing confidence, hiding pain, being “easy to love.”

And the real kicker?

We don’t just pay fees to belong to groups.
We pay fees to belong to versions of ourselves.

The Spiritual Fee: The Cost of Becoming

Every time you evolve, you pay. Because growth demands sacrifice. You can’t become a new person without letting an old self die. That’s not poetic.
That’s psychological.

To change is to grieve. To heal is to revisit. To mature is to realize you were wrong.

Even enlightenment comes with a cancellation fee: you lose illusions.

The Final Fee: The Departure as a Balance Sheet

And then comes the last day. The final audit. The final entry in the ledger.

Your departure.

Life starts looking like a balance sheet, not in the financial sense, but in the human sense.

What did you invest?
What did you waste?
What did you hoard?
What did you give?
What did you learn too late?
What did you love too quietly?

And perhaps the most haunting line item of all:

What did you postpone until it became impossible?

So, What Is the Fee, Really?

Fee is not money. Fee is the invisible cost of being alive.

It is the consequence attached to every choice, the emotional tax on every attachment, the interest on every dream, the service charge on every identity, the processing fee for every memory and the final receipt we leave behind.

And, here’s a witty truth to end on. We spend our whole lives trying to make the accounts tally.

Trying to justify the fees. Trying to feel like the cost was worth it. And maybe that’s the most human thing of all. Because in the end, the goal isn’t to live a life with no fees. That’s impossible.

The goal is simpler, and far more profound. To pay the fee… and still call it living. To look at the balance sheet on your last day and say:

“Yes.
There were charges.
There were losses.
There were hidden fees I never agreed to.

But the experience?
The experience was real.
And I was here for it.”

Welcome to earth: Emotions Cost Extra


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Between Pages


In response to Linda G. Hill’s Stream of Consciousness, #SoCS for February 7, 2026

https://wp.me/p2CQXv-57A

Prompt:

Your Friday prompt for Stream of Consciousness Saturday is “chapter.” Use it any way you’d like. Enjoy!


In a town where nothing ever changed, there lived an old bookbinder who was famous for one strange service.

People didn’t come to him to bind books.
They came to him to bind their lives.

Every evening, they would arrive carrying loose pages, crumpled, stained, sometimes torn clean in half. Some pages smelled like rain. Some smelled like hospitals. Some had lipstick marks, coffee rings, and tear-blurred ink.

And the bookbinder would sit them down and ask the same question, gently, like a prayer:

“Where does this chapter end?”

The people would blink.

Some would say, “It doesn’t. It can’t. This is my life.”

And the bookbinder would smile sadly and reply,

“That is exactly why you need a chapter break.”

Then he would take their pages and do something curious.

He would not erase the pain.
He would not rewrite the story.
He would not pretend the ugly parts were beautiful.

He would simply insert a blank page. A clean, silent page. And on that page he would write nothing. No title, and no explanation, no moral. Just… space.

The people would protest.

“What is the point of an empty page?”

And the bookbinder would say,

“So your soul can breathe. So your life can pause. So you can step out of what happened,
and stop living inside it.”

One day, a woman came with a bundle of pages heavier than all the others. The ink on them looked like it had been written while shaking.

The bookbinder opened her stack and asked his question.

“Where does this chapter end?”

She whispered, “I don’t know.”

So the bookbinder did something he had never done before. He didn’t insert a blank page. Instead, he tore one of her pages in half.

The woman gasped.

“That was my life!”

The bookbinder held up the torn page and said quietly. “No. That was your suffering. And you are not required to bind it into your identity.”

He placed the torn piece aside, inserted a blank page, and handed the rest back. The woman stared at the empty page for a long time. Then she said, as if she had just discovered a new kind of freedom:

“So I can start again… without needing permission?”

And the bookbinder nodded.

“You always could.”


And so, the parable steps aside… and life steps in.

We treat the word chapter like a literary tool, something neat, numbered, organized.

But in real life, chapters are not about structure. They’re about survival. A chapter is what your mind creates when life becomes too big to hold all at once.

It’s the way you make meaning out of chaos. Because without chapters, everything becomes one endless paragraph, and endless paragraphs are how people drown.

We think a chapter ends when something dramatic happens:

a breakup
a move
a loss
a job change
a betrayal
a wedding
a new beginning

But the truth is, most chapters don’t end with fireworks. They end with a quieter moment. A moment so small you almost miss it.

Like:

the day you stop checking your phone for their name

the first morning you don’t feel heavy

the first laugh that surprises you

the first time you say “no” without guilt

the first time you look back and feel… nothing

That is a chapter ending. Not because the world changed, but because you did.


A chapter is not time. It’s transformation.

Some chapters last years. Some last seconds.
Sometimes an entire chapter is contained in one realization…“I can’t live like this anymore.”
That sentence has ended more chapters than any calendar ever has.

And here’s what nobody tells you. We romanticize chapters. We love the idea of a “new chapter” because it sounds clean. Fresh.
Like a bookstore smell.

But most new chapters begin in the middle of mess. In the middle of confusion. In the middle of you still missing what hurt you. A new chapter doesn’t always start with hope. Sometimes it starts with exhaustion. Sometimes it starts with a whisper:

“Just get through today.” And that counts. That counts so much.


Some chapters don’t close. They loosen.

This is important. Not every chapter ends like a door shutting. Some end like a knot untying.
Slowly, quietly, one loop at a time.

You don’t notice it happening until you realize you can breathe again.


The most misunderstood chapter: the blank one

People fear the blank page. They fear the space after an ending. They rush to fill it. They rush into distractions, relationships, noise, explanations.

But the blank chapter is sacred. Because it’s not emptiness. It’s recovery. It’s the part where your soul stretches out on the floor and says:

“Let me exist without performing.
Let me exist without proving.
Let me exist without pain being my personality.”

The blank chapter is where you stop being a character. And return to being a human.

And finally, a chapter is not just something you live. It’s something you outgrow. And outgrowing doesn’t always look like strength.

Sometimes it looks like:

walking away without closure
forgiving without reconciliation
choosing peace over explanation
letting go of being understood
accepting that the story didn’t go the way you wanted

That’s not weakness. That’s maturity. That’s the soul learning punctuation.

A chapter is proof that your life is not one fixed story. It is a book that keeps rewriting itself.

And you…
You are not trapped inside the page. You are the one who turns it.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Caramel Wisdom

What’s your favorite candy?

Caramel is not a candy,
It’s a tiny golden therapist,
Wrapped in crinkly foil,
Saying, “Breathe. We’ll get through this.”

I pop it in like a brave decision,
Like “I’m fine” when I’m clearly not,
And suddenly my mouth becomes a temple
Where all my worries are… forgot.

First it’s firm,
Like life when it pretends to be simple.
Like deadlines. Like heartbreak.
Like people who say, “Just be chill.”

Then it softens… slowly…
With the patience of old wisdom,
As if it’s whispering,
“Sweetheart, don’t rush your healing.”

It sticks to my teeth like memories do,
That one summer laugh,
That one goodbye,
That one moment I thought I wasn’t enough.

And I’m chewing on feelings now.
Literal.
Emotional.
Sticky nostalgia in a sugar tuxedo.

It tastes like childhood,
Like school lunch surprises,
Like that one aunt who smelled like warmth
And always gave extra.

It tastes like forgiveness,
Not dramatic, not loud,
Just gentle and golden,
Like a sunset learning to stay.

And for a second,
My heart unclenches.

Because caramel doesn’t sprint.
It doesn’t perform.
It doesn’t try to impress you.
It just stays…

Until it becomes part of you.

And that’s when I realize,
Maybe I’m allowed to be like caramel too.

Softening doesn’t mean breaking.
Taking time doesn’t mean failing.
Dissolving doesn’t mean disappearing.

It means you’re becoming.
It means you’re learning
That sweetness can survive pressure
And still taste like light.

So when life feels too hard,
When the day feels too sharp,
I remember this humble miracle:

Even the toughest caramel
Eventually melts.

And so will the fear.
And so will the pain.
And so will the heavy parts of me,

Until what’s left
Is something warmer.
Something kinder.

Something… sweet.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

I Think, Therefore I Tick


In response to Ragtagdailyprompt

RDP Saturday: Time

https://wp.me/p9YcOU-68k


A Story Before Time Begins…

In a village that did not appear on any map, there lived an old clockmaker who never sold clocks. People came anyway. They came with their wrists bare and their eyes full.

They came with the same question, dressed in different stories:
“Can you fix time?”
The clockmaker would smile and open a drawer filled with hourglasses. But these hourglasses were strange.

Some had sand that initially shot upward.
Some had sand that moved sideways.
Some had no sand at all, yet still ticked softly, like a distant heartbeat.

One day, a little girl walked in holding a cracked hourglass. “This was my mother’s,” she said. “It broke when she left.”
The clockmaker took it gently, turned it over, and listened. The hourglass made no sound.
No falling, and no rushing. Just silence.

The villagers watched as he began to repair it. He did not glue it. He did not replace it. He did not force the glass to behave. Instead, he placed it on the table and whispered something into it.

Then he said to the girl, “Hold it.”
She held it close. And suddenly, the sand began to move. Not fast. Not slow.
Just… truthfully.

The villagers gasped. “What did you do?”
The clockmaker shrugged. “I didn’t fix time,” he said. “I fixed the way it felt.”

That night, after the villagers went home and the little girl left clutching her repaired hourglass like it was a small living thing, the clockmaker remained in his workshop. The lamps flickered. The clocks continued their steady, indifferent ticking.

And yet, the silence between each tick felt louder than ever.

He sat at his desk, pulled out a sheet of paper, dipped his pen in ink, and for the first time in his life… he did not try to build time.
He tried to speak to it.

Dear Time,

I don’t know what to call you anymore.

A river?
A thief?
A teacher?
A miracle?
A wound?

You are the most familiar stranger I’ve ever lived with.

You’ve been beside me every single day, quiet, loyal, unstoppable, yet I still don’t understand you. I still don’t know whether to thank you or forgive you. Some days I want to hold you close like a friend. Other days I want to grab you by the collar and demand answers.

Why do you behave so differently for the heart than you do for the clock?

Why does one minute stretch into an eternity when I am afraid… but whole years vanish like mist when I am happy?

You are so unfair that way. You don’t slow down when I’m not ready. You don’t pause when I’m begging. You don’t soften when I’m grieving.

You simply move. And the worst part is, you move so normally. The tea still boils. The sun still rises. The world still laughs in cafes. People still make plans.

Even when someone I love is gone.

How dare you keep going so smoothly… when my whole universe has shattered?

And yet… you do.

You always do.

You continue, not cruelly, but almost… neutrally. Like you were never meant to be kind or harsh – only true.

But Time, I need you to know something:

You are not neutral to me.

You have fingerprints all over my life.

You have pressed yourself into my skin in ways no one else has.

Because I don’t actually remember you as hours or days.

I remember you as moments.

A laugh that made me forget my own sadness. A phone call that changed the shape of my future. A room I walked into and suddenly became my younger self again. A song that brought back the exact version of me I thought I had lost.

That is the strange magic of you, isn’t it?

You don’t just move forward.

You echo.

You hide in perfume. You live in handwriting. You sleep inside old photographs. You haunt the corners of houses. You appear suddenly in the middle of a random Tuesday when I smell something familiar, and my heart time-travels without asking permission.

You make me realize something I try not to admit:

The past isn’t gone. It’s just stored inside me. And that, Time, is both beautiful… and unbearable.
Because sometimes you bring back warmth. And sometimes you bring back regret.

Oh, regret.

You have given me so much of that.

You gave me those teenage years where I thought I had forever, where I was reckless with love, careless with words, arrogant with apologies I didn’t offer.

You watched me waste days waiting for the “right time.”

Waiting to be ready. Waiting to be healed. Waiting to be confident. Waiting to be chosen. Waiting for life to begin.
And, then one day, you held up a mirror and showed me the truth:

My life had been happening the whole time.

While I was waiting, you were passing.

And while you were passing… I was losing things I didn’t even realize were leaving.

Because you are the only thing I cannot earn back.

Money can return. Opportunities sometimes circle back. Even people, miraculously, can return.

But you? You never do.
You never turn around. You never apologize. You never come back holding what you took.
You simply keep walking. And I have to stand there and learn how to live with the space you leave behind.

Still… as much as you have taken from me…you have also saved me. I don’t say that lightly.

You are the reason pain didn’t stay sharp forever. You are the reason the edges of my heartbreak softened. You are the reason the wounds that once felt like open flames became quiet scars.

You didn’t heal me like a doctor. You healed me like the ocean.

You returned again and again, wave after wave, until the broken glass of my grief became something smoother, something I could finally hold without bleeding.

You gave me the slow miracle of becoming.
You gave me the ability to change.
You gave me the strange mercy of distance.

You turned disasters into lessons. You turned endings into beginnings. You turned the person I was, into someone wiser, softer, more careful with love.

Time, you made room for second chances. And for that, I owe you something. I owe you gratitude.

But you also made me realize something heartbreaking. You don’t measure a life by achievements.

You don’t care how busy I was. You don’t clap for my productivity. You don’t keep score of my milestones.

You are moved by tenderness.

You remember the small things.

The tea I made for someone when they were tired. The call I returned when I didn’t feel like talking. The apology I offered when my ego wanted to win. The hug I held a second longer. The silence I shared with someone who needed company more than advice.

Those are the moments you keep. Those are the moments that don’t disappear.

And perhaps that is the real tragedy and beauty of you:

Every day you give me a handful of sand…

and you never tell me which grain matters most.

You never warn me:

“This will be the last time you hear that laugh.”
“This will be the last time you sit in that childhood room.”
“This will be the last time you watch them walk away.”
“This will be the last ordinary day before everything changes.”

No.

You let life look normal right until the moment it becomes history.

And then, when I turn around, I realize…

the hourglass didn’t break.

It simply finished.

Time… I wish I had been braver with you.

I wish I had loved harder instead of assuming love would always be there. I wish I had spoken softer when I thought I was right. I wish I had stayed longer instead of rushing to the next thing. I wish I had said “I’m sorry” sooner. I wish I had said “I love you” more casually, more often, like it was breathing.

Because now I understand something I didn’t before:

You are not just passing. You are leaving. And I will never know how many “later”s I have left.

So I am writing this letter to you, not to bargain, not to plead, not to ask for more, but to finally stop treating you like an infinite resource. To finally stop living like I have forever. To finally stop postponing my own life.

Time…If you have one lesson for me, let it be this:

Make me present. Make me someone who notices. Make me someone who does not let love sit unspoken in the mouth.

Make me someone who understands that the most sacred thing I can give another human being is not advice, not money, not solutions,
but,

My attention
My presence.
My minutes.

Because you, Time, are the only currency that never returns.

And when my own hourglass runs out, quietly, like dusk,

I want the last thing in my hands to be this:

Not regret.

Not unfinished sentences.

Not “I meant to.”

But love.

The love I gave while the sand was still falling.

Yours,

A human trying to learn, how to hold what cannot be held


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Mind Over Splatter

Do you need a break? From what?

Do you need a break?
From what?
From my brain,
That overachieving, caffeinated thought-police bot.

It doesn’t think, it runs a whole
International investigation,
Turning “I said hi” into a case
With charts and documentation.

I walk outside. The sun is nice.
My brain goes, “That’s suspicious.”
“Why is it shining that bright today?
Is this… psychologically vicious?”

I wave at someone. They wave back.
My brain says, “Pause. Rewind.”
“Was that a wave? Or was that…
A wave designed to undermine?”

I say “Good morning” to a friend.
My brain goes, “Oh dear LORD.”
“Did you say it too happy? Too flat?
You’ve started a social war.”

I laugh at a joke. My brain pulls out
A microscope and pen:
“Let’s analyze the laugh in depth,
Was it a nine or ten?”

I sit in silence. Peace appears.
My brain says, “Not so fast.”
“Silence is where regrets are stored.
Let’s binge your entire past.”

And suddenly at 2 a.m.
My brain, in full attack,
Shows me the time in 2007
I waved… and waved back.

It replays it like a movie scene
With dramatic violin:
“Look! You blinked too soon!
That’s where your downfall began.”

I try to sleep. My brain goes, “GREAT.
Let’s solve your whole life now.”
Then opens fifty tabs like:
“WHY YOU’RE WEIRD: HERE’S HOW.”

Tab one: That tone you used in 2019
Tab two: What if everyone hates you?
Tab three: Is your personality… too loud?
Tab four: Is your personality… too mute?

I roll to one side. My brain says,
“That’s avoidance. That’s a sign.”
I roll to the other. It says,
“That’s denial. Also a sign.”

I pull the blanket up. It gasps.
“That’s hiding. Emotional flight.”
I pull it down. It yells,
“That’s reckless. You’ll catch shame tonight.”

I breathe in. My brain goes,
“Did you breathe in correctly?”
I breathe out. It says,
“That was uneven. Respectfully.”

I open my phone for one quick scroll.
My brain says, “I’m alarmed.”
“You liked that post too fast.
Now you look emotionally unarmed.”

I don’t like the post. My brain screams,
“You’re cold! You’re distant! You’re rude!”
I like it again. It whispers,
“Now you look desperate. Intrude.”

I text, “LOL.”
My brain faints.
“LOL?!” it cries.
“That’s too casual. That’s too bold.
You’ve ruined seven lives.”

So I delete the text.
Then retype it.
Then delete it twice.
Then write: “Haha.”
Then: “😂”
Then: “Sorry.”
Then: “Ignore.”
Then: “Nice.”

Now my friend thinks I’m possessed
By a haunted autocorrect,
But no, it’s just my brain
Trying to be socially perfect.

I choose a snack. My brain calls in
The United Nations,
“Is this hunger? Is this boredom?
Is this childhood revelations?”

I pick a biscuit. It screams,
“YOU’RE SELF-SABOTAGING!”
I pick a carrot. It says,
“Stop performing. This is damaging.”

I drink water. It says,
“Wow. Trying to be healthy now?”
I drink coffee. It says,
“Wow. Trying to be anxious now?”

I take a nap. It says,
“You’re lazy. Shame on you.”
I stay awake. It says,
“You’re wasting time. Shame on you too.”

I try meditation, soft, serene,
My brain shows up in boots,
“Hello. I brought 800 thoughts.
Let’s all share our roots.”

A peaceful mantra fills the air…
My brain goes, “WAIT. HOLD ON.”
“What if the mantra is wrong?
What if you’re doing it…just to belong?”

I picture a calm, blue ocean.
My brain adds sharks and tax.
I picture a gentle meadow.
My brain adds emails, bills, and facts.

I whisper, “I need a break.”
My brain says, “From what, though?”
“Let’s define ‘break’ with bullet points
And a spreadsheet in a row.”

Then, plot twist,
I start to think,
“Am I overthinking this?”
And my brain throws confetti
Like: “YES! NOW YOU GET IT! BLISS!”

Because overthinking is a treadmill
That charges you a fee,
Where you run in place for hours
To arrive at… anxiety.

So if you see me smiling
Looking peaceful, calm, and bright,
Don’t be fooled.
My brain is in the background
Doing karaoke with my fright.

And it’s singing:

“DID YOU SOUND WEIRD?”
“DID YOU LOOK STRANGE?”
“DID YOU BREATHE WRONG?”
“DID YOU AGE?!”

Yes, Yes, I need a break.
From what?
From my brain’s nonstop show,
A 24/7 reality series called:

“THE AUDIT OF ME:
SEASON 400, EPISODE 01″How To Panic Bro.”


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Brainspace Odyssey


https://wp.me/p4t2PZ-7gL

In response to Jim Adams’s Friday Faithfuls Challenge

Prompt: Mathematical Space

Respond to this Friday Faithfuls challenge by writing anything about a mathematical space, or you can discuss how adding something to a set will make the set more interesting, or you could describe the importance of being able to measure certain things, or you can contemplate on why having a customizable environment allows for the rigorous analysis of interactions between points or objects, or anything else that you feel fits….


The Rooms You Live In (Even When You Don’t Move)

In mathematics, “space” isn’t just the dramatic void between stars. It’s a far sneakier idea. It’s basically a rulebook for a world, one that decides what counts as near, what counts as far, what can touch, what can stretch, and what can exist together without causing chaos. It sounds abstract until you realize we do this all the time as humans. We build invisible spaces in our minds: spaces where certain thoughts are allowed, certain feelings are forbidden, and certain memories show up uninvited like they own the place. Math just has the audacity to admit it out loud.

In mathematics, “space” isn’t the romantic, twinkly kind where astronauts float gracefully and say profound things into their helmets. No. Mathematical space is more like a highly controlled sci-fi simulation – a universe with strict rules, invisible grids, and an attitude problem. It decides what counts as “close,” what counts as “far,” what can bump into what, and whether two things are even allowed to exist in the same reality without the whole system throwing a tantrum. Which, honestly, makes it less like outer space… and more like my brain on a Monday morning.

A quirky bad habit of mine is that I’m incapable of leaving science and math in peace. I can’t just admire a concept politely, nod like a responsible adult, and move on. No! My brain immediately starts poking it with a stick and asking, “Okay, but how does this help me survive Tuesday?” I drag elegant theories out of their pristine textbook homes and shove them into real life, into awkward conversations, emotional spirals, and the everyday chaos of being human. It’s not some grand intellectual insight.. It’s more like… an unsolicited coping mechanism.

Let me narrate a story as always…

There was once a woman who lived in a house with no doors. Not because the architect forgot them, no, the house had doors. Plenty. But she didn’t know they were there. Every morning, she woke up in the same room. She made tea in the same corner. She sat on the same chair. She stared at the same wall and called it “life.”

Sometimes, she heard laughter from somewhere beyond the wall. Sometimes, music. Sometimes, the soft sound of someone crying. And she would press her ear to the paint and whisper, “Where are you? I’m right here.”

One day, a child visited. The child walked to the wall, touched a certain spot, and pulled. A door opened. The woman froze.

“There was always a door there,” the child said casually, like it was the most ordinary thing in the world. “You just never had the map for it.”

And in that moment, the woman didn’t just discover a new room. She discovered a new way of existing.

Now the strange part…this is not a story about a house. It’s a story about you.

Because humans don’t live in just one reality. We live in many invisible “rooms” – mental rooms, emotional rooms, sensory rooms, memory rooms. And the most unsettling truth is this. You can spend your whole life inside a space without knowing its shape.

That’s where the human lens meets one of the most quietly powerful ideas in mathematics: the idea of a “space.” Not the starry kind. Not the NASA kind. The kind that decides what counts as close, what counts as far, what counts as connected, and what counts as possible.

The brain doesn’t think in facts. It thinks in landscapes. Neuroscience has a deliciously poetic problem. The brain is not a filing cabinet. It’s not even a library. It’s closer to a living city with winding alleys, shortcuts, dead ends, and mysterious bridges that only appear when you’re in the right mood.

When you remember something, you’re not “retrieving data.” You’re traveling.

When you panic, you don’t just feel fear. You get teleported into a specific internal territory: a narrow corridor where every thought echoes.

When you fall in love, suddenly your inner world expands—and everything has more room.

When you’re depressed, your inner world doesn’t become “sad.” It becomes small.

That’s the key. Your emotions don’t just change what you feel. They change the space you live inside. And once your space changes, your decisions change too.

What makes a “space” so human?

A mathematical space, when you strip away the intimidating costume, is simply a rulebook for a world. It answers questions like: what counts as “near,” what counts as “far,” what counts as “smooth,” what counts as “continuous,” and what counts as “connected.”

Now here’s where it gets thrilling from a human perspective. Your brain runs on invisible rulebooks too. And most of your suffering is not because of the events in your life… but because of the internal rules your mind is using to measure them.

The most routine human life is secretly a high-dimensional miracle.

Let’s take something painfully ordinary. You walking into a room full of people. Nothing “mathematical” seems to be happening. But your brain is doing something outrageous. It is mapping faces, voices, past interactions, social status cues, body language, tone, lighting, personal insecurities, the memory of what you wore last time, the fear of being judged, and the desire to belong, all at once.

And it doesn’t treat these as separate things. It blends them into one internal “position.” You are not just in the room. You are located somewhere in a multi-layered inner universe of meaning.

That’s why one person can walk into the same party and feel free… and another can walk into the same party and feel trapped. Same physical location. Different internal geometry.

Your habits are not repeated actions. They are repeated coordinates.

People think routine is about discipline. But routine is often something else. It’s the mind taking the same path because it’s the easiest path inside your internal world.

You don’t scroll because you love scrolling. You scroll because you know where that corridor leads. You don’t re-open old conversations because you enjoy pain. You re-open them because your mind has built a familiar hallway there. You don’t overthink because you want to. You overthink because you’ve lived in that room so long it feels like home.

This is where the idea becomes quietly revolutionary, to change your life, you don’t always need new motivation. You need a new space. A new set of rules for closeness. A new definition of distance. A new way to measure what matters.

The most dangerous thing isn’t being lost. It’s being lost in a space that feels normal.

If you’re lost in a forest, you know you’re lost. But if you’re lost in a mental space, a space where everything looks familiar, where every thought leads to the same outcome, you don’t call it being lost. You call it: “This is just who I am.” “I’m just realistic.” “I’m not good at relationships.” “I always mess things up.” “People can’t be trusted.” “I’m too much.” “I’m not enough.”

That’s not a personality. That’s a coordinate system.

Adding one new thing can change the entire world. Sometimes, you don’t need to overhaul your life. You just need to add one new point. One new habit. One new friend. One new environment. One new belief. One new sentence you tell yourself. Because the moment you add something new to your inner world, the shape of your world changes. It’s like adding a single chair to an empty room. Suddenly, the room has a place to sit, a corner, a center, and a new story.

This is why a small change can feel massive. Because it’s not just change. It’s a change in structure. Measurement is not neutral. It is emotional. Humans don’t just measure height and weight. We measure worth, success, beauty, relevance, love, achievement, productivity, and approval.

And the tragedy is this…we often measure the wrong things with the wrong tools. We measure love in messages per day. We measure self-worth in compliments. We measure purpose in income. We measure peace in silence, even when silence is loneliness. We measure success in speed. We measure healing in “being over it.”

And then we wonder why we feel exhausted. Because we’re living in a space where the rulers are broken.

Your brain is obsessed with “distance” – but not the kind you think.

Your brain is always predicting. It is always asking how close danger is, how near reward is, how far safety is, how likely rejection is, and how soon you’ll be hurt.

But the brain doesn’t measure these in meters. It measures them in meaning. That’s why a harmless comment can feel like a punch. That’s why a memory can feel closer than the present. That’s why a person you haven’t seen in years can still live inside you like they never left.

In your mind’s space, distance is emotional geometry. Higher dimensions are the secret life of the self. We pretend we’re simple, but humans are not one-dimensional. You can be grieving and laughing, confident and insecure, brave and terrified, loyal and resentful, healed and still tender, ambitious and lonely, all at the same time.

That’s not contradiction. That’s dimension. The self is not a single line. It’s a living structure with layers. And maturity is not becoming consistent. Maturity is learning to navigate complexity without collapsing.

The most profound human use of abstract space is this…your life is not only shaped by what happens. It is shaped by the space in which it happens.

Two people can go through the same event and come out different, not because one is stronger, but because they’re living in different internal worlds. One has a mind where failure means “I am ruined.” Another has a mind where failure means “I am learning.”

The woman from the beginning walked through the first door. Then another. Then another. And soon she found something strange. The house wasn’t a house. It was a mansion.

She hadn’t been trapped. She had simply been living inside a map that only showed one room.

Then she did something quietly devastating. She returned to the first room. She sat in the same chair. She looked at the same wall. But this time, she didn’t call it life. She called it “a room I used to believe was everything.”

And she cried, not because she was sad, but because she finally understood how many years she had spent calling a single space her whole universe.

That’s the human message inside mathematical space.

You are not stuck. You are mapped. And maps can be redrawn, not by force, not by willpower alone, but by expanding the inner world you measure reality through.

Sometimes all it takes is one new idea, one new habit, one new perspective, one new person, one new kind of courage, to open a door you didn’t know existed.

And suddenly, you don’t just change your life. You change the space in which your life becomes possible. Every future starts with a wider room.


© Rohini 2009–2025.
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