Source Code


In response to Fandango’s One Word Challenge FOWC

Prompt word: Source

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A traveler once arrived in a village that worshipped a lamp.

It stood in the center of the square – tall, ornate, eternally lit. The villagers polished its base, guarded its glass, argued over its brightness. Some insisted it burned stronger in winter. Others claimed it flickered in the presence of doubt.

The traveler watched quietly and asked a simple question.

“Where is the flame fed from?”
The villagers laughed. “From the lamp, of course.”

But the traveler walked around it. Beneath the carved pedestal, beneath the tiles, beneath the stone, there ran a narrow line of oil, hidden and uninterrupted, flowing from a reservoir outside the village walls.

They had built rituals around the glow. They had never examined the source.

We are a civilization obsessed with lamps.

We polish outcomes, debate appearances, defend brightness, and we measure success in lumens.

But we rarely ask, what feeds it?

What is the source of your ambition?
What fuels your anger?
What powers your kindness when no one is watching?

We analyze behavior like critics at a theatre performance, yet ignore the backstage machinery. We treat symptoms like they are origins. We call reactions personality.
But nothing simply appears.

Every sharp word has a source.
Every silent withdrawal has a source.
Every extraordinary resilience has a source.
And the source is rarely what we first suspect.

Consider this, the source of confidence is not applause. It may be a childhood where someone listened, or perhaps a childhood where no one did, and strength became survival.

The source of outrage may not be injustice alone, but wounded pride.

The source of generosity may not be abundance, but a memory of lack.

We are not self-generated beings. We are reservoirs fed by unseen tributaries, like memory, influence, fear, love, culture, silence.

Who installed your beliefs?
Who sourced your fears?
When did your humor become armor?

If you trace carefully enough, you will find that most of what you call “me” has a lineage. Even light, that noble metaphor we adore, depends on source.

A bulb glows only because current moves unseen. A star burns because fusion rages in secret. A human shines because something within is alive. And here lies the mystery,  the most powerful sources are invisible.

We see the glow.
We rarely see the flow.

The source of a life well lived is not its visible milestones. It is the quiet architecture beneath them, discipline no one applauds, questions no one hears, private reckonings no one documents.

The source of peace is not the absence of chaos. It is the decision to stop sourcing your stability from unstable things.

The source of joy is not possession. It is alignment.

The source of clarity is often not more information, but less noise. The source of wisdom is not accumulation, but subtraction.
The source of love is not intensity, but presence.

And perhaps the most unsettling realization of all. You are not merely shaped by sources, you are one. You are the source of the tone in your home. The source of courage in a meeting. The source of either escalation or ease in a conflict.

You are someone else’s upstream. This is where responsibility sharpens. If bitterness flows from you, that becomes someone else’s inheritance. If grace flows from you, that too travels. We often underestimate how far our sources reach.

Yet here is the awe-filled paradox. Sometimes the source is neither wound nor willpower.
Sometimes it is something quieter – Silence, attention, stillness.

We live in an age obsessed with tracing sources of data, funds, influence, yet we hesitate to trace the sources of ourselves. Perhaps because the excavation is intimate. Perhaps because the answer might unsettle the narrative we’ve curated.

But imagine a life where before reacting, you ask, What is this sourced from? Before judging,  What is their source? Before shining, What feeds my flame?

The traveler in the village did not extinguish the lamp. He simply followed the line of oil. And that is the work. Follow the line. Trace the current. Question the reservoir.

Because in the end, brightness is easy. But if you truly wish to live deliberately, fiercely, luminously, don’t just admire the light.

Be very careful what you choose as your source.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

To Spin or Not to Spin… That’s the Question


In response to Ragtagdailyprompt

https://wp.me/p9YcOU-6dG

RDP Sunday: Vertigo


The Art of Almost Falling

Once upon a time, there was a woman who believed she walked on solid ground. She trusted floors. She respected gravity. She assumed ceilings had boundaries.

Life felt stable, dependable, and obedient to physics. Until one morning, the Earth decided to rehearse.

The room tilted politely at first, like it was bowing. Then it twirled with enthusiasm. The walls leaned in conspiratorially. The ceiling seemed entertained.

She clutched the edge of her bed and whispered, “Excuse me?”

The universe replied, “Verti-GO.”

At first she thought it was punishment. Then she suspected it was magic. Eventually, she realized it was neither. It was a reminder that balance is not something we own, it is something we borrow.

That woman, of course, is me.


Now let us step out of the narrative above and into the less poetic truth. I suffer from vertigo.

And when I say vertigo, I do not mean light-headedness or a polite wobble from standing up too quickly. I mean the full theatrical production. The kind where your inner ear hires a choreographer and your brain forgets to RSVP.

Vertigo is not dizziness. It is your nervous system announcing, “Let there be spin,” and then committing fully to the bit.

Some mornings I wake and negotiate with the ceiling.
“Are we stable today?”
The ceiling, evasive as ever, refuses to comment.

Walking down a hallway becomes strategic choreography. Turning your head is bold. Looking up is ambitious. Looking down is reckless. I no longer walk, I sway with conviction. Like a shopping cart with one rebellious wheel that insists, “This is performance art.”

My brain insists we are spinning. I insist we are stationary. My brain wins.

And on particularly theatrical days, my mind transforms into Shakespeare himself and delivers something like this…

To spin, or not to spin…that is the question:

Whether ’tis nobler in the mind to suffer
The slings and swerves of outrageous gravity,
Or to take arms against a sea of ceiling fans
And by opposing, end them.
To stand, perchance upright,
Ay, there’s the rub.
For in that stand what dreams may tilt and reel
When we have shuffled off this steady coil
Must give us pause.

O treacherous ear, thou tiny architect of balance,
Why dost thou stage mutiny within my skull?
The floor, once loyal, now betrays my step,
And walls approach as overly familiar friends.

Yet soft,
Though all the world be but a spinning stage,
And I its slightly startled player,
Still shall I plant my wavering feet
And call it courage.


Then, of course, I sit down.

Vertigo has stolen dramatic hair flips, quick turns in the kitchen, and the illusion that I am effortlessly graceful. It has also gifted me something unexpected – humility, patience, and a sense of humor that arrives faster than fear.

I have learned to sit sooner. To hold walls like old companions. To laugh before panic introduces itself. To accept that elegance is optional but survival is not.

Verti-GO, as I now define it, is not falling.

It is the art of almost falling, with flair.

It is life tapping my shoulder and whispering, “Slow down, superstar. You are already spinning enough.”

Some people pay for rollercoasters. I stand up too fast. And yet here I am, occasionally horizontal in spirit, vertical by effort, and fully committed to finding comedy in the wobble.
Because if the world insists on spinning, I might as well turn it into literature.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Lord of the Yawns

What bores you?

The Yawn Also Rises

Once upon a time, in a kingdom not very far from your group chat, there lived a man named Bhola who was sentenced to the most terrible punishment imaginable. Not dragons, not dungeons and definitely no taxes.

He was made to sit through a three-hour presentation titled “Quarterly Synergy: A Deep Dive Into the Deep Dive.”

The slides had bullet points. The bullet points had sub-bullets. The sub-bullets had feelings.

By slide 47, Bhola’s soul had gently exited his body, made a cup of tea, and considered freelancing. And thus, dear reader, we arrive at the great philosophical inquiry of our time…

What bores you?

Not in a polite, “Oh I’m just a little tired” way.
I mean the kind of boredom that makes your eyelids file a resignation letter.

1. Meetings That Could Have Been an Email (That Could Have Been a Thought)

There is a special circle of purgatory reserved for meetings that begin with, “Let’s just wait two more minutes for others to join.”

We wait. We stare and we contemplate our ancestors.
Then someone says, “So… how’s everyone doing?”

Karen begins narrating her dog’s dental journey.
Raj discusses traffic patterns since 2018.
Someone’s mic is on and we hear aggressive typing that sounds like Morse code for “SAVE ME.”

The meeting ends with, “Great discussion! Let’s circle back.”

Circle back where?
To the same place we started?

Boredom is not an emotion. It is an event.

2. The Art of Over-Explaining the Obvious

I am bored by instructions that explain gravity to a falling apple.

“If you drop the cup, it may fall downwards.”

Thank you, Isaac Newton’s less ambitious cousin.

There is a breed of conversationalist who, upon asking what time it is, will explain the invention of clocks. I wanted the time. I did not want the Renaissance.

3. Inspirational Quotes That Inspire Absolutely Nothing

“Live. Laugh. Love.” Ma’am, I am trying.

I am bored by motivational posters that look like they were written by a pillow.
“Dream big.” I did. It was about pizza.

Sometimes I suspect these quotes were invented by someone who ran out of actual personality.

4. The Competitive Sufferers

Nothing bores me faster than the Olympics of Hardship.
You say, “I’m tired.”
They say, “Tired? I haven’t slept since 2009.”

You say, “It’s cold.”
They say, “Cold? I once lived inside a freezer voluntarily.”

I do not wish to compete in the Suffering Decathlon. Please take the gold medal and also a nap.

5. Predictable Plot Twists

When the villain in a movie says, “We’re not so different, you and I,” I begin mentally reorganizing my spice rack.

Surprise me. Give me a hero who forgets why he entered the room. Give me a villain who files paperwork correctly.

Predictability is the beige wall of storytelling. It exists. It functions, but it inspires nothing.

6. Small Talk That Isn’t Even Trying

“How’s the weather?”
We both have windows, friend.

If we must engage in conversation, let us discuss something bold. Tell me your irrational fear of escalators. Confess that you name your plants. Reveal your conspiracy theory about mismatched socks forming an underground society.

Life is too short for beige dialogue.

7. Myself, Sometimes

Let us be honest. Sometimes what bores me most… is me.

When I scroll endlessly. When I complain without change. When I research old stories like leftover rice.

Boredom is often a mirror holding up a sign that says: “Dear Human, Kindly Update Your Software.”

And Yet…here’s the twist in our parable.

Bhola, survivor of the Quarterly Synergy Catastrophe, eventually began sketching caricatures of the presenters in his notebook. He exaggerated their gestures. He wrote fictional backstories. He turned boredom into comedy.

The presentation didn’t change. He did. And suddenly, slide 78 was hilarious.

So what bores me? Repetition without curiosity. Noise without meaning. Talk without sparkle, but mostly…boredom bores me, because somewhere beneath every dull moment is a story waiting to be poked with a stick.

And if all else fails…at least there’s always the spice rack.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Squeeze the Day

What is your favorite drink?

Image Credits: ©PaletteNPixels

O sovereign chalice of summer survival,
O clinking glass crowned with sweating pearls,
You arrive like a diplomat of mercy
Negotiating peace between my parched tongue
And the tyrant sun.

The day has wrung me dry.
My thoughts are raisins.
My ambition? A puddle.
My patience? Evaporated somewhere near noon.

And then…
You.

I see you first.
Amber sunlight trapped in a tumbler,
Ice cubes gossiping softly,
A lemon wheel lounging on the rim
Like it owns beach front property.

I lift you with reverence.
The fragrance rises,
Bright, citrusy rebellion!
People require smelling salts to be revived.
I require lemon.

One whiff and my ancestors awaken.
Somewhere in my DNA, a cell whispers,
“Ah yes. We were meant for this.”
The first sip,
Oh.
It is not a sip.
It is a resurrection.

The cold crashes against my tongue
Like a polite avalanche.
The tartness pirouettes,
Sharp, mischievous, unapologetic,
Then the gum syrup glides in,
Silky as a summer breeze
That paid its electricity bill.

Sweet meets sour.
They do not argue.
They waltz.

A thousand sensations detonate at once,
Tiny fireworks behind the eyes,
Goosebumps forming an applause committee,
My spine straightening like it has found purpose.

My cells, previously lying on the couch,
Leap up shouting,
“Hydration! Hydration! Everybody look alive!”
The brain sends a memo…
“Energy has entered the building.”
Even my shadow seems refreshed.

I swear I hear my organs clapping.
My liver tips its hat.
My heart beats in citrus tempo.
My very pores sigh,
“We forgive you for yesterday.”

Whoever first looked at a lemon,
That knobby, suspicious, sour-faced fruit,
And said,
“Yes. Let us squeeze this aggressively into tea,”
Was a visionary.
A pioneer.
A slightly unhinged genius.

And then,
To add gum syrup?
Madness.
Brilliant, sticky madness.

The texture lingers just enough,
A whisper of sweetness trailing behind
Like perfume at a garden party.

Summer may scorch.
The sun may boast.
But I possess a glass of defiance.

Hand me ice.
Hand me lemon.
Hand me tea sweetened with syrup so smooth
It should have its own jazz album.

For in that golden, glacial miracle
Lives vigor.
Lives laughter.
Lives the triumphant realization

That sometimes the universe
Does not send angels
It sends citrus.
And honestly?
That is more than enough.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Ears Today, Truth Tomorrow


In response to Reena Xploration Challenge RXC

Prompt # 418

https://wp.me/p6HvcB-dor

Prompt: Creative Expressions


A potter once held an exhibition where nothing was labeled. No titles. No artist notes. No price tags. Just clay. People walked in like they’d entered a library where all the books had blank covers.

One woman stood in front of a crooked vase and whispered, “This one is grief.” A man pointed at a lopsided bowl and said, “That’s my mother. Always holding everyone together.” A teenager stared at a tiny cracked cup and laughed. “That’s my attention span.”

The potter watched quietly from the corner, amused. At the end, a critic marched up to him, furious. “Your work is confusing,” he said. “No one knows what it means.” The potter smiled. “Perfect.” The critic blinked. “Perfect?” “Yes,” said the potter. “Because I didn’t make meaning. I made a place where meaning could happen.” And that, honestly, is the whole secret of expression.

We like to think an idea is one solid thing, like a coin you can hand over. But ideas are more like water. Pour water in a glass, it behaves like a glass. Pour it in a bowl, it becomes a bowl. Put it in your hands, it becomes a mess and drips down your elbows like emotional honesty. The same truth, say, “I miss you”,can wear wildly different outfits depending on where you place it.

In writing, an idea becomes precise. You can sculpt it into a sentence that stings or heals. Writing is where emotion goes to get dressed properly. It lets you revise your feelings the way you revise a paragraph: delete the melodrama, add restraint, replace “I’m fine” with “I’m not,” then backspace because you panicked. Writing is also the best medium for people who feel too much but want to look calm while doing it.

In sculpture, the idea becomes weight. You don’t just say something, you build it. You carry it. You make it take up space. Sculpture is the language of people who don’t want their emotions to be “understood.” They want them to be felt in the bones. A sculpture doesn’t argue. It just stands there like, “This is what it is. Deal with it.”

In painting, the idea becomes atmosphere. Painting doesn’t explain. It suggests. It’s less “Here’s what I mean,” and more, “Here’s how it feels when it rains inside you.” And sometimes it’s not even about the subject. It’s about the colour you chose when you couldn’t choose the words.

We now live in an era where people confess their deepest emotions through memes, reels, graffiti, origami, installations, and AI-generated images. Each format changes the emotional temperature. Graffiti is emotion with a heartbeat and no permission slip. It says, “I had something to say so badly, I wrote it on the world.” Memes are the modern poetry of the emotionally overwhelmed. They’re how people say, “I’m dying inside but I’d like to keep this conversation casual.” Humour becomes a shield and, strangely, also a bridge.

Origami is quiet devotion. It says, “I can’t speak about my feelings, but I can fold them into a swan.” Reels are expression for people who feel things fast. A reel doesn’t sit with an emotion, it catches it as it runs past. Installations are for emotions too big for a sentence. They don’t tell you what to feel. They trap you inside the feeling.

Not everyone is built for the same kind of expression. Some people are born with a mouth full of music. They can describe sadness so beautifully you want to clap while crying. Others feel just as deeply, but their feelings don’t come out as sentences. They come out as sketches in the margins, silence in the middle of a conversation, laughter at the wrong time, dramatic sighs, angry cleaning, or making tea for everyone when they’re the one breaking inside. Expression is not always about vocabulary. It’s about wiring.

Silence gets a bad reputation, but silence is often not emptiness. Silence can be respect, grief, restraint, awe, fear, love, the pause before forgiveness, or the pause before you say something you can’t take back. Silence is what happens when the soul is speaking and the mouth is trying not to ruin it. Sometimes silence is the most mature thing in the room. And sometimes it’s the only truthful thing in the room.

Communication begins before words. It begins with posture. Before you say “I’m fine,” your shoulders have already submitted their resignation letter. The way you stand, sit, lean, fold your arms, tap your foot, none of it is “creative” in the traditional sense, but it is expressive. There are people – astute people, sensitive people, sometimes annoyingly observant people, who can read you like a paragraph you didn’t mean to publish.

Then come the eyes. Eyes don’t just show emotion. They paint it. Fear looks like widening. Joy looks like softening. Love looks like forgetting to blink. Grief looks like a room where the lights have been turned down. Eyes are the original cinema. Most people don’t even realize they’re expressing. They think they’re hiding. Meanwhile their eyes are out here writing entire novels.

There are people who communicate without spoken language – those who mime, those who sign, those who are speech impaired, those who have lost their voice, those who never had it. Many of them express more clearly than people who speak all day. Because when words aren’t available, the world becomes more attentive. Hands become sentences. Faces become punctuation. Movement becomes meaning. It’s almost as if the human spirit refuses to be silent, even when the mouth is. It finds a way. It always finds a way.

Emotion lands hardest when the medium matches the message. If your message is tender, a poem can carry it gently. If your message is heavy, a sculpture can hold its weight. If your message is chaotic, paint can swirl like the inside of your head. And if your message is complicated, humor often delivers it best, because humor disarms. It sneaks truth into the room wearing clown shoes. You laugh, and then it’s too late, you’ve already felt something real.

Most people stick to one mode of expression. They speak, or they write, or they make art. But when someone tries a new form, something strange happens. They discover parts of themselves they didn’t know existed. A person who never writes tries journaling and suddenly realizes, “Oh. I have thoughts.” A person who never draws sketches something and realizes, “Oh. I have feelings.” A person who never dances moves their body and realizes, “Oh. I have a soul.” Sometimes it’s not about talent. It’s about permission.

If you could choose only one medium to leave behind, what would it be? Stone lasts. Paper travels. Paint survives. Digital files vanish when passwords are forgotten. But the best message isn’t the one that lasts longest. It’s the one that stays alive.

A cave painting lasts thousands of years because it doesn’t require translation. A sculpture lasts because it speaks to the body, not the dictionary. A song lasts because it bypasses logic and goes straight to the heart. Maybe the best medium for the future is the one that requires no shared language, because language changes, but feeling doesn’t.

And then comes the wildest thought of all: what if, when we leave this plane of existence, there are no words? No alphabets, and no grammar. No “I didn’t mean it like that.” No speech, but just pure communication. No art, and no performance. Not even expression. Just direct knowing. A kind of telepathy of the soul.

If that were true, then maybe everything we’re doing here – writing poems, painting skies, acting on stage, posting memes at 2 a.m., is practice. Practice for being understood without translation. Practice for telling the truth without fear. Practice for being fully seen. Because if we ever master silent understanding, all these paragraphs were just dress rehearsals for the ultimate mic drop…mutual telepathy.

Expression is not just about being heard. It’s about becoming real. When you express something, you take it out of the fog inside you and give it a shape. Once something has a shape, it can be understood, held, healed, shared, and released.

Expression is how the speaker survives, and it’s how the listener learns. Because when someone else expresses honestly, it gives you permission to recognize yourself.

Maybe it isn’t about talent at all, but translation.  Everyone is translating something, even the person who says nothing, even the person who shrugs, even the person who laughs too loudly. Because the human spirit is always speaking.

The only question is, are we listening with our ears, or with the part of us that recognizes truth before it’s explained? And if you’re not sure which one you’re using… try turning it off and on again, starting with the ego.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Social Safari

Who are your favorite people to be around?

Let me begin with a confession – I am an introvert. Not the mysterious, candle-in-the-window kind. I am the “strategically positioned near the exit, observing humanity like a wildlife documentary narrator” kind.

If social gatherings were safari parks, I would be in the jeep, with binoculars, whispering commentary.

“Ah yes. The Common Loudus Maximus has begun its mating call near the snack table.”

From this safe emotional distance, I have carefully curated a list of my favorite species of humans to be around.

1. Children: The Unfiltered Philosophers

Children are my absolute favorites. Why? Because I don’t have to talk much. They do the heavy lifting. I simply nod, blink thoughtfully, and occasionally contribute something revolutionary like, “Wow.”

Children will say things like:

“Why do adults pretend to like salad?”

“If the moon follows us, is it stalking?”

“If you swallow a seed, will a tree grow out of your ears?”

And I am there, fascinated, and taking mental notes. Their thinking is simple, straight, and often more logical than adult board meetings. A child will assess a situation and say, “That’s not fair.” Meanwhile, adults will schedule three meetings, form a committee, and invent a spreadsheet to avoid saying the exact same thing.

The best part? I get to observe. Occasionally interject. And then retreat gracefully when someone hands me a toy phone and says, “It’s for you.”

No, thank you. I do not take imaginary calls before 10 a.m.

2. Adults: The Respectful and Kind (A Rare, Beautiful Species)

Adults are wonderful… provided they are respectful and kind.

Give me adults who say “please,” who listen without interrupting, who don’t treat conversations like Olympic sports.

The respectful adult is a marvel. They speak at a humane speed. They allow pauses. They do not weaponize sarcasm. They do not say, “Well actually…” every four minutes.

These are my people. We can sit quietly together. We can discuss books, life, or why tea tastes better in certain cups. We can disagree without turning into medieval knights preparing for intellectual combat.

To the kind adult…you are a gift. You are a warm cup of coffee in a world of energy drinks.

3. The Elderly: Snack Providers and Time Travelers

Ah, the elderly. The elite tier of humanity. With them, I receive three guaranteed benefits:

1. Snacks
2. Love
3. Stories that begin with “In my day…”

Their homes smell like cardamom, nostalgia, and moral lessons. They feed me as though I have been wandering the desert for 40 years. I may protest once. It changes nothing.

“Eat, eat,” they say. I eat.

And then come the stories. Tales of ancient bus rides. Of letters written by hand. Of neighbors who borrowed sugar and returned entire meals. Of a world where patience existed and phones were attached to walls like obedient pets.

Their stories are not just stories. They are time machines. And I, the introverted archaeologist, sit quietly collecting artifacts of wisdom.

Also, they think I am thin.
That alone earns them lifetime membership in my favorite-people club.

4. Narcissists: My Internal Stand-Up Comedy Routine

Now we enter dangerous territory. My least favorite kind of people.

Narcissists – Fascinating creatures. The only people who can turn your birthday into a biographical documentary about themselves.

When I encounter one, I do not argue. I do not compete. I do not even react much.

Oh no. My comeback is entirely internal. While they are narrating their greatness, I am in my mind hosting a full stand-up comedy show.

“And here we see the rare Selfius Magnificus. Notice how every story circles back to them like a loyal homing pigeon.”

If narcissists could hear my thoughts telepathically, they would stop mid-sentence. They would blink. They would whisper, “Why do I suddenly feel roasted?”

But alas, my commentary remains locked in my head. A private sitcom, commercial-free.

5. The Loud Ones: Human Fire Alarms

I cannot stand very loud people. Not enthusiastic. Not joyful, but loud. The kind who enter a room like it owes them rent.

My nervous system does not appreciate surprise concerts. If your volume arrives before your personality, I will slowly begin calculating escape routes.

I don’t dislike them. I simply need earplugs and emotional armor.

Volume, dear friends, is not a substitute for charisma.

6. The Fast Talkers: Verbal Race Cars

And then there are people who talk too fast.

I am still processing “Hello,” and they have already explained their childhood, career trajectory, favorite conspiracy theory, and weekend plans.

Please.

My brain has the processing speed of a thoughtful librarian. It cannot compete with Formula One Speech Edition.

Slow down. Let the words breathe. Insert punctuation into your life.

7. The Quietly Witty: Masters of the Understated Mic Drop

And then, my absolute delight, the witty ones.
Not the loud joke launchers. Not the table-slappers who laugh before the punchline lands. No, the softly sparkling word magicians.

I mean the quiet assassins of humor.

The ones who can take something painfully ordinary, like missing a bus, and turn it into a cinematic saga of betrayal, destiny, and cardio failure.

You’ll be standing there, mildly annoyed about your coffee spilling, and they’ll say, calmly:

“Well, at least the floor needed emotional support.”
And suddenly the entire situation has been upgraded from inconvenience to anecdote.

These people don’t perform. They don’t dominate the room. They don’t boomerang every story back to themselves. They simply observe, tilt their head slightly, and deliver one perfectly timed sentence that rearranges your mood. They are conversational ninjas.

They turn awkward silences into shared laughter. They turn small embarrassments into folklore. They turn Tuesday into material.

And the best part? They don’t need an audience or applause. They just quietly plant a sentence and walk away while you’re still smiling five minutes later.

The world is loud enough. Give me humor that arrives like a wink, not a siren.

8. The Bonus Category: Quiet, Curious Humans

My absolute favorites? The quiet, curious humans.
The ones who ask thoughtful questions. Who notice small details. Who don’t rush to fill silence. Who can laugh without being cruel. Who can sit in peace without performing for the room.

With them, I do not feel like an observer behind glass. I feel seen.

Final Observations from the Introvert Observatory

Being an introvert is like having backstage access to humanity.

I see, the innocence of children, the grace of kind adults, the warmth of the elderly, the theatrics of narcissists, the decibels of the loud, the speed of the over-explainers.

And from my safe corner seat, I smile. Because people are strange, funny, exhausting, and are wonderful too

And I will continue observing them…from a comfortable distance, with snacks, preferably provided by the elderly.

And if you ever find yourself at a gathering and notice someone quietly stationed near the bookshelf, strategically close to the snacks, smiling at absolutely nothing, please don’t worry. I’m not judging you. I’m not plotting world domination. I’m simply buffering. Like slow Wi-Fi with excellent moral values. Come sit beside me if you like. We don’t even have to talk. We can just exist… and silently rate the room together.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Leaf Me Not Alone


In response to Ragtagdailyprompt

RDP Thursday: Gregarious

https://wp.me/p9YcOU-67s


Image Credits: ©PaletteNPixels

In a valley tucked between two sleepy mountains, there was a lake so clear it looked like the sky had spilled and decided to stay. Around it grew a ring of tall trees, pines with pointy hats, willows with silky hair, and one old oak who stood like a wise grandparent with a creaky laugh.

Every morning, the sun would stretch its golden arms across the water, and every night, the moon would paint a silver path for the stars to tiptoe across. It was a peaceful place.

But there was one little tree who didn’t feel peaceful at all. His name was Twig. Twig was a young sapling, and he was shy. Not “I forgot my homework” shy. More like “I would rather talk to a rock than say hello” shy.

He stood near the edge of the forest where the wind visited often, and he watched everyone else. The leaves chatted like they were hosting a never-ending tea party. The bugs buzzed in tiny groups, gossiping about which flower had the sweetest nectar. The birds sang in flocks, as if they were part of the same band. Even the clouds traveled together like fluffy friends on a picnic.

Twig sighed. “Everyone is so… together,” he murmured. “I don’t know how they do it.”

One afternoon, a playful wind came swooshing through the valley. It ruffled the lake, tickled the grass, and spun the leaves into little dancing circles. “Hello, Twig!” the wind whooshed brightly. Twig tried to wave a leaf, but he only managed a nervous wiggle.

The wind paused. “You look like you’re thinking very hard.” Twig whispered, “I don’t think I’m made for being with everyone. I’m just… small.” The wind made a soft humming sound, like it was smiling. “Small doesn’t mean lonely,” it said. “Come. Tonight, I want to show you something.” Twig blinked. “Tonight?” “Yes,” said the wind. “When the moon is awake.”

That evening, the sky darkened gently, like someone pulling a velvet blanket over the valley. The moon rose, round and calm, and the stars appeared, one by one, until the whole sky glittered like a jar of fireflies had been opened. The wind returned. “Look up,” it whispered.

Twig looked, and suddenly he noticed something he’d never really noticed before. The stars weren’t scattered randomly. They weren’t lonely dots. They were in groups. Some made shapes like animals. Some looked like cups and crowns. Some sat close together like friends sharing secrets.

Twig stared in wonder. “They’re… together,” he breathed. “Yes,” said the wind. “Even the stars.” Twig thought for a moment. “But they’re so far apart.” The wind chuckled softly. “And yet they still belong to the same sky.”

Twig fell quiet. Then the wind said, “Now look down.” Twig looked down at the lake. The lake was reflecting the stars perfectly. Tiny star-shapes shimmered on the water, and the moon’s silver path stretched right through them. Twig gasped. “It’s like the lake is holding the sky!” “It is,” said the wind. “And the sky is holding the stars.”

Twig’s leaves trembled. “Why are you showing me this?” he asked. The wind swirled around him gently, not too strong, not too fast. “Because you think being together means being loud,” said the wind. Twig blinked. “But it doesn’t.” The wind continued, “Some of the most gregarious things in the world are quiet.”

Twig tilted his tiny trunk. “Gregarious?” The wind smiled in its windy way. “It means enjoying being with others. Friendly, social and part of a group.”

Twig’s leaves drooped a little. “But I’m not like the birds. Or the bugs. I don’t know what to say.” The wind whispered, “Then start with something simple.”

The next morning, the sun returned, bright and warm. A line of ants marched past Twig, carrying crumbs and bits of leaf. Twig watched them carefully. They didn’t complain. They didn’t argue. They didn’t even stop. They just moved together.

Twig gathered his courage, every tiny drop of it. “Hello,” he said softly to the ants. The ants didn’t stop, but one of them lifted its head and wiggled its antenna. “Hello, Tree,” it said, and then hurried along.

Twig’s leaves fluttered. It wasn’t a long conversation. It wasn’t even an exciting conversation. But it was something.

Later, a ladybug landed on Twig’s trunk. Twig hesitated. Then he said, “Good morning.” The ladybug turned its spotted head. “Good morning!” it chirped. “Nice bark!” Twig almost laughed. Nice bark? That was the funniest compliment he’d ever heard.

Soon after, a small group of leaves tumbled past him, pushed by the wind. They spun and swirled like they were dancing. Twig watched them. And then, very slowly, he let one of his own leaves loosen. Not too many. Just one. It drifted away, joining the spinning group. Twig felt a strange, warm feeling, like he had just joined a game without even having to shout.

That afternoon, the willow tree nearby called out, “Twig! The wind says you’re learning to say hello.” Twig blushed so hard he thought he might turn into an apple tree. “I’m trying,” he admitted. The willow’s branches swayed kindly. “That’s all anyone does.”

Days passed. Twig didn’t become the loudest tree in the forest. He didn’t suddenly start hosting leaf parties or leading bug parades. But he did something much more important. He began noticing. He began greeting. He began sharing. Sometimes he offered shade to tired insects. Sometimes he let birds rest on his branches. Sometimes he simply stood near the others, listening to the wind’s stories. And little by little, something changed. Twig didn’t feel like he was standing at the edge of the world anymore. He felt like he belonged inside it.

One night, the wind returned again. “How are you, Twig?” it asked. Twig looked up at the moon and stars. “I think I understand now,” he said. The wind hummed. “Tell me.”

Twig said, “Being gregarious doesn’t mean you have to be the biggest voice in the forest.” The wind swirled happily. Twig continued, “It means you let yourself be part of something. Like the stars. Like the ants. Like the leaves in the wind.” He paused. “And even if you’re small, you still have a place in the sky.” The wind whispered, “Exactly.”

And Twig, the shy little sapling, stood a little taller. Not because he was suddenly brave, but because he finally knew he didn’t have to be alone.

Gregarious: when your “hi” finally leaves the drafts folder.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Pleasantly Ever After


In response to Ragtagdailyprompt

RDP Thursday: Pleasant

https://wp.me/p9YcOU-6cL


In a small town tucked between soft hills and sunflower fields, there was a shop with a strange name painted on a wooden sign: THE PLEASANT SHOP.

It didn’t sell bread. It didn’t sell cloth. It didn’t sell toys. And yet, people went in and came out smiling, sometimes laughing, sometimes crying, sometimes quiet like they’d just been forgiven.

No one really knew what the shop sold.
Except for one man. His name was Rowan, and he was known in town for having a face like a locked door. Rowan wasn’t cruel. He wasn’t rude. He just wasn’t… pleasant.

He walked as if the road owed him an apology. He spoke as if every sentence was a burden. Even when someone said, “Good morning,” Rowan replied as if they’d asked him to carry a piano.

One day, Rowan’s neighbor, an old woman named Mrs. Elowen, stopped him outside his gate.

“You should visit the Pleasant Shop,” she said.

Rowan scoffed. “I don’t need pleasant. I need practical.”

Mrs. Elowen smiled gently. “Then you need it most.”

Rowan muttered something about foolish old people and went on with his day.

The next week, something happened.

Rowan’s cart broke on the way back from the market. The wheel snapped clean off and rolled away like it had been offended by his attitude.

Rowan stood in the road, sweating, cursing, and glaring at the sky.

A young boy passing by offered, “Sir, I can help you lift it.”

Rowan snapped, “I don’t need help!”

The boy flinched and walked away.

Then a farmer passed. “Need a hand?”

Rowan barked, “No! I can do it myself!”

The farmer shrugged and continued.

Rowan struggled for almost an hour. His hands were scraped, his shirt was soaked, and his pride was splintering.

Finally, Mrs. Elowen appeared, as if she’d been waiting for the moment. She didn’t laugh. She didn’t scold. She simply said, “Come. Let’s get your cart fixed.”

Rowan was too tired to argue.

Together, they dragged the cart into town. And without saying a word, Mrs. Elowen led him straight to the shop with the wooden sign.

The Pleasant Shop

Rowan hesitated at the door. He expected perfumes, or sweet cakes, or nonsense. But when he stepped inside, there were no shelves, no counters, no goods, only a simple room with warm light and a small desk.

Behind the desk sat an old shopkeeper with bright eyes and a calm face. His name tag read: MR. PLEASANT.

Rowan blinked. “This is a shop?”

Mr. Pleasant nodded. “It is.”

Rowan frowned. “What do you sell?”

Mr. Pleasant leaned forward. “Pleasantness.”

Rowan snorted. “You can’t sell that.”

“Oh,” Mr. Pleasant said, “I don’t sell it. I teach it.”

Rowan crossed his arms. “I don’t have time for lessons.”

Mr. Pleasant smiled. “Then you’ll be quick.”

He slid a small wooden box across the desk.

“Open it.”

Rowan opened it.

Inside were three tiny stones. Each one was smooth, pale, and oddly warm.

Rowan looked unimpressed. “Stones?”

Mr. Pleasant nodded. “Stones.”

Rowan scoffed. “This is a joke.”

“No,” said Mr. Pleasant. “It’s an experiment.”

He pointed to the first stone. “This one is called the Greeting Stone. For one day, every person you meet, you greet them warmly. Not politely, not quickly, but warmly.”

Rowan’s face tightened.

Mr. Pleasant pointed to the second stone. “This one is called the Listening Stone. For one day, when someone speaks, you listen without interrupting, correcting, or rushing them.”

Rowan’s jaw clenched.

Mr. Pleasant pointed to the third stone. “This one is called the Softening Stone. For one day, when irritation rises in you, you pause before you speak, even if it feels silly, even if it feels unnecessary.”

Rowan stared at the stones like they were snakes.

“And what happens if I do this?” he asked.

Mr. Pleasant leaned back. “You’ll feel lighter.”

Rowan narrowed his eyes. “And if I don’t?”

Mr. Pleasant shrugged. “Then you’ll stay heavy.”

Rowan hated how calm the man was. He hated how simple it sounded. He hated how true it felt.

But something in him, some tired part, finally whispered…Try.

So Rowan took the box.

The First Day – The Greeting Stone

Rowan forced his face into something that resembled kindness. At first, it felt like wearing someone else’s shoes.

He greeted the baker. He greeted the fish seller. He greeted the little girl who usually avoided him.

And something strange happened. People smiled back. Not the polite smile people gave him out of duty, real smiles.

One man even laughed and said, “Rowan, you’re in a good mood today!”

Rowan almost snapped, but the stone felt warm in his pocket. He swallowed the snap. And for the first time in years, he walked home and realized his shoulders weren’t as tight.

The Second Day – The Listening Stone

This was harder. When his neighbor started talking about her chickens, Rowan’s mind screamed: Who cares?

When the shopkeeper told him about his sick wife, Rowan’s mind said: Not my problem.

But he listened.

He didn’t fix. He didn’t correct. He didn’t hurry them along.

And again, something strange happened. People didn’t just talk. They opened, softened, and started to trust him. Rowan walked home that night feeling something he couldn’t name.

It wasn’t joy. It was something quieter. Something like being included and belonging.

The Third Day – The Softening Stone

This was the hardest. Rowan’s irritation rose like it always did – when someone bumped into him, when the weather turned bad, when his cart wheel squeaked again. He felt the words climbing up his throat, sharp and ready.

But he paused. One breath. Two breaths. And in that pause, something happened. He realized he wasn’t always angry at people. Sometimes, he was angry at life. Sometimes, he was angry at himself. Sometimes, he was simply tired.

And he had been throwing his tiredness at everyone like stones.

The Return

On the fourth day, Rowan went back to the Pleasant Shop. Mr. Pleasant looked up. “Well?”
Rowan sat down slowly. He didn’t know how to explain it, so he said the simplest truth.

“I thought being pleasant was… pretending.”

Mr. Pleasant nodded. “And?”

Rowan swallowed. “It’s not pretending,” he said. “It’s choosing.”

Mr. Pleasant’s eyes brightened.

Rowan continued, surprising even himself. “I always thought pleasant people had easier lives. But I realized they don’t. They just stop handing their pain to others.”

Mr. Pleasant leaned forward. “And what did you gain?”
Rowan looked down at his hands. “People.”
Mr. Pleasant smiled gently. “Yes.”
Rowan whispered, almost ashamed. “And… peace.”
Mr. Pleasant nodded. “That too.”

Rowan glanced at the box. “Do I keep the stones?” Mr. Pleasant shook his head. “No. You don’t need them now.” Rowan frowned. “Then what do I do?” Mr. Pleasant said quietly, “You become the shop.”

The Lesson

Rowan left. In the weeks that followed, the town noticed something. Rowan still had problems. He still had bad days. He still got tired.

But now he greeted people like they mattered. He listened like their words weren’t an inconvenience. He spoke like kindness was not weakness.

And the strangest part? The more pleasant Rowan became, the more pleasant life became back. Not because the world changed, because people felt safe around him. And safety, in a human heart, blooms into warmth.

Let me leave you with this thought to carry with you:

Being pleasant isn’t about being fake. It’s about being brave enough to choose kindness when you don’t feel like it. Because pleasantness isn’t a personality, it’s a gift you give others…and a peace you give yourself.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Sole Mates

Tell us about your favorite pair of shoes, and where they’ve taken you.

I was born in a box,
very clean, very smug,
with a squishy soft sole
like a marshmallow rug.

On the shelf I sat pretty,
with my laces tied neat,
watching humans shuffle by
on their tragic old feet.

Some tried on “cool sneakers,”
some chose “office chic,”
one sandal kept yelling,
“COMFORT IS FOR THE WEAK!”

Then you walked in.
With that confused look.
That stare.
The “I’m trying my best”
with a hint of despair.

You picked me up gently,
you squeezed me like dough,
you stared at my sole
like it knew what you know.

You wore me.
You stood.
You took one small stride,
And I felt your whole body go,
“Oh. This is the vibe.”

You did the store jog
the one people do
to pretend they are not
testing shoes like a fool.

Then you nodded, all serious,
like “Yes. I’ll take these.”
And I thought:
“Congratulations. You’ve purchased knees.”

You paid for me proudly,
like I came with a cape,
like I’d fix your whole life
and your emotional shape.

And honestly?
Not to brag, not to boast…
I did carry you through
when you needed it most.

The Office

You even wore me to work
where the carpets were dull,
where the coffee was weak
and the deadlines were cruel.

I stood in the elevator
with your Monday face,
while your brain ran marathons
in that tiny small space.

I watched you power-walk
like you ran the whole place,
then you opened your inbox
and made that one face.

And I thought, as you sighed,
in your serious clothes:
“This is why humans need
extra padding for woes.”

The Gym

Then came the gym.
Ah yes.
The gym.
Where humans go in
and return as… a limb.

You ran on the treadmill
like it stole your pay,
you hoisted those weights
like revenge was your day.

You did squats.
You did lunges.
You did planks full of dread.
And I absorbed your sweat
like a loyal pet bed.

You said, “One more rep!”
I said, “Sure, okay…
like you said ‘one more episode’
and slept at 5 a.m.”

The Beach

I recall the day

you marched me… to the beach

The beach?!
The land of betrayal,
the kingdom of sand,
where shoes lose their dignity
just trying to stand.

Sand got in my insides
like gossip gets spread,
it entered once,
and now lives there rent-free instead.

I became half shoe,
half crunchy disgrace…
But you looked so happy
So, I forgave the place.

You stood by the waves
with your thoughts getting loose,
and I watched you go quiet
like you hit “Reduce.”

And I thought…

“Wow. So this is the plan.
You run all year long
to stand still… on sand.”

The Forest

Then came the woods,
with its mud and its tricks,
where every root said,
“Trip now. Do it. For kicks.”

You walked past the trees
like you came for advice,
and the birds sang songs
like your life could be nice.

A spider appeared.
You froze.
You went pale.
You did that weird hop
like your soul left the trail.

I stayed under you,
steady, brave, very true,
Because honestly?
The spider was judging me too.

The Mountains

And then came the mountain.
Oh, the mountain.
A slope with an ego,
a rock with a frown.

You started all cheerful,
you smiled at the peak,
then five minutes later
you could barely speak.

Your lungs filed a complaint.
Your legs went on strike.
Your water bottle vanished
like, “Nope. I dislike.”

You stared at the sky
like it personally lied,
and you said, “Who suggested this?”
And I thought:
“You did.”

But I didn’t say it.
I’m footwear, not cruel.
I just held you steady
like a very soft mule.

Step by step,
you climbed through the pain,
And at the top you looked different.
Not louder.
Not vain.

But just… you.

And I swear, in that moment,
I felt like a shoe
who had witnessed a human
become something true.

EVERYWHERE

I’ve been to your errands,
your rushes, your runs,
your “I’ll just step out”
that took hours, not one.

I’ve been through rain,
through dust, through the grind,
through days you were glowing
and days you were behind.

I’ve carried your joy.
I’ve carried your stress.
I’ve carried you through
your “I’m fine” in a mess.

And I learned a big truth
from the places we’ve been
Humans don’t walk places.
They walk through who they’ve been.

Now I’m scuffed at the edges,
my foam’s getting thin,
my once-perfect bounce
is a “maybe” within.

My laces look tired,
my sole has seen war…
But I’d do it again
a thousand times more.

So if someday you leave me
to rest in a corner,
and you buy a new pair
that’s fresher and newer,
Just know I won’t mind.
I was lucky, you see.
I wasn’t just Hokas.
I was your history.

And if shoes get endings,
mine’s simple and true.
I hope I served you well.
I hope you remember me too,
even when I become old,
and can’t walk anymore with you.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

Grounded In Gratitude


In response to Denise’s Thursday’s Six Sentence Story Blog Hop.

Prompt: Ground

https://wp.me/pFebB-8fD


Dear Earth, my ground, my steady floor,
the hush that holds me evermore.

You’ve seen first steps, last goodbyes too,
and kept them safe the way you do.

We pour our grief, we drop our blame,
you bloom in spite of all the same.

You cup the roots in patient night,
then lift green miracles to light.

One day, the ground I walk will be
the ceiling closing over me.

Till then, keep footprints where I stood,
not as proof I mattered, only as proof I was good.


© Rohini 2009–2025.
All text, prose, images, and artwork presented herein are the original intellectual property of the author. All rights reserved.
No part of this content may be copied, reproduced, distributed, displayed, or used in any form without the prior written permission of the copyright holder.

For licensing requests or usage inquiries, please contact: manomaya0214@gmail.com

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